Matt Magee — Winter Pool, Mind Gap, and Lunar Lantern (2024)

Manneken Press’ second project with Matt Magee was released in March 2024. Winter Pool and Mind Gap take inspiration from Paul Klee’s 1924 painting Mask, translating its frontal, head-like oval form into flat, centralized shapes activated by internal matrices of rectangles. The white of the un-inked paper plays a central role: in Winter Pool it forms the internal blocks as negative space, while in Mind Gap the blocks appear as positive shapes floating within negative space. Magee transforms Klee’s motif into thought-bubble forms with udders, suggesting language and cognition in an indecipherable visual syntax.

Lunar Lantern originated as an ink drawing from 2017 and references the trilobite, an ancient marine arthropod. Its stacked, segmented form appears illuminated from within, with un-inked paper creating moon-like slices surrounded by purple pigment. Together, the prints evoke ritual objects that hold light, space, and time. All three works are aquatints on Rives BFK paper, printed in editions of 20.

Matt Magee — Plugs, Bugs and Drugs (2021)

Manneken Press’ first collaboration with Arizona-based artist Matt Magee was released in June 2021. Drawing on hard-edged abstraction and art-historical precedents, Magee conceived Plugs, Bugs and Drugs as an abstract poetic triptych exploring language, iteration, and processes of stacking and sequencing. Using templates and measuring tools, Magee drew directly onto copper plates, leaving generous margins that centralize the imagery and lend it symbolic weight.

The forms and titles are suggestive rather than descriptive, encouraging associative reading rather than fixed interpretation. The prints are aquatints, hand-printed in color on Somerset Velvet Soft White paper, in editions of 20.

About Matt Magee

Matt Magee is an American contemporary artist known for his minimal, abstract geometric paintings, sculptures, prints, assemblages, murals, and photographs. Born in Paris in 1961, Magee lived in Tripoli and London before relocating to Brooklyn in 1984, where he maintained a studio until 2012. He currently lives and works in Phoenix, Arizona.

Over a career spanning more than four decades, Magee has explored abstract and conceptual practices rooted in the legacy of 1960s Minimalism. His work combines a fascination with language, systems, and design, resulting in carefully structured compositions that function like visual spreadsheets or hieroglyphic codes. Influenced by early hard-edge abstraction, Magee’s visual language also draws on contemporary scientific, ecological, and technological ideas, while retaining traces of the artist’s hand.

Magee earned an MFA from Pratt Institute and a BA in Art History from Trinity University. He has received fellowships from the Josef and Anni Albers Foundation (2007, 2015), a New York State Foundation for the Arts Grant (2002), and a Pollock-Krasner Foundation Grant (1991). His work has been exhibited internationally and is held by institutions including the Museum of Fine Arts, Houston; Phoenix Art Museum; the Albright-Knox Art Gallery; and the Tamarind Institute. A monograph on his work was published by Radius Books in 2018.

"While inspiration from painters and sculptors in the 1950’s and 1960’s are important to my practice, personal history and my own mark making are the primary tools that build (and break down) the various systems of meaning in these prints."

Matt Magee